Radiant vocalist and songwriter Sannia has today announced not one, but two magnificent new singles; Daylight and Better, out August 16. The two tracks are reflective of the growth of Sannia’s trademark intricate, emotive songwriting, and her voice soars with undeniable strength on both songs as the narrative melts from one track to the next. And the indie pop powerhouse has also released two stunning videos for the singles, directed by award-winning writer and director Emily Dynes (Teagan, Oh Pep!, The Gaze). To celebrate the double release, Sannia will be playing two exclusive shows in September at Melbourne’s Workers Club (September 12) and Sydney’s Golden Age Cinema (September
Sannia tells Jen her “Top 6 Personalities at Every Gig”. This gave Jen a good laugh!
‘Geoff,’ Venue Manager
Asks you to move your car while you’re loading in, reminds you of the noise curfew and that the green room was recently refurbished. Mispronounces your name. Wants to know why Luke hasn’t started yet. Third time this week he’s been late. 9 missed calls. Dehydrated.
‘Dylan,’ Sound Guy
Really loved your set mate, is that the new Strymon? Haha, hey do you mind if the next band borrow your amp theirs has cooked it haha. I put some reverb on your vocal too just in case you were gonna ask haha.
‘Raven,’ Queen of Darkness
Support act’s bassist’s girlfriend, won’t look you in the eye, will drink from the backstage fridge. Wearing non-prescription glasses. Overheard explaining the cultural significance of Egg-Boy in a post-capitalist society. Legal name is most likely Stephanie.
Hasn’t left the bandroom for three days. Wore earplugs for the whole gig; you’re not sure if he can hear you, he’s not sure either. You wonder why a 60-year-old in aviators and Chisel shirt is even at your sadgirlTM pop gig but he claps intimidatingly loud after every song. He nods, you’re welcome.
‘Alex,’ but his mates call him Zander
Assures you he was in an up and coming band before making the move to finance, just wants to talk to you for a few minutes about this great idea for a musician’s app but needs support from investors and some killer artists. Shows you his social handles from his apple watch.
‘Katie,’ good egg
Has no idea who you are but is absolutely there for your set. Hits up your socials, grams your set, cheers after every high note. If Katie were an animal she’d be a golden retriever; everyone loves golden retrievers.
If you want to meet one or all of these loose units you should come down to Workers Club on September 12th, Katie’s a good egg, be like Katie!
Daylight opens the window into Sannia’s heart and mind, with pulsing, nostalgic synths, and poignant, relatable lyrics woven amongst a gentle solo guitar. The story is familiar – unrequited love, not for a stranger but for a close friend, as Sannia explains, “I wrote this song on a train home after a big night out with friends, I sort of had this weird semi- inebriated epiphany that I was head over heels for someone close to me, and in that same moment I realised he absolutely didn’t feel the same at all. Like two ships passing in the night, or maybe a ship and a rowboat in my case.” The clip is striking even from the opening shot – a damaged car in a vast, open pasture, a fire smoking out, and Sannia, a little bruised, lying in the front seat in a flowing red dress. She rises, and moves instinctively with the song, as she describes, “I feel like I was most vulnerable in this clip – I was absolutely terrified at first to include choreography in a one-take shot with a very small time frame to get it done was nerve wrecking but I think it’s the clip I’m most proud of.”
Better picks up where Daylight leaves off; the dust has settled on the relationship, and Sannia begins to believe in getting better, if only for herself. Another distinctive, swooping synth and an industrial-style drum loop moves this track into a modern, electronic space, while Sannia’s gorgeous vocals, evocative of both Meg Mac and Vera Blue, make this song distinctly hers. The clip features two lovers, dancing in a sunlit, empty house, then in a field at dusk…and then, they are apart, as Sannia says, “If there was anything in the world I wish I could do it would be dance, and the first thing I thought of when I imagined a video for this song was two dancers really representing the constantly shifting sands of a turbulent relationship. Emily managed to get in touch with choreographer Sian Kelly and two incredible dancers (Melissa Yvonne Pham and Ned Zaina) and suddenly this idea I had in my head that I absolutely couldn’t describe with words or my own lack of coordination actually came to life; I was completely blown away by Mel and the emotion she brought to the shoot.”
Explaining the decision to release both songs at the same time, Sannia says, “I decided to release these two together because I feel like they’re one and the same, not just in terms of their production or both videos being centred around dance and movement, but the two songs were really two different responses to the same situation. Daylight was the initial, really vulnerable call out and Better was the more defiant and explosive response.”
After an intense year of touring, Sannia is thrilled to be playing two exclusive live shows to celebrate the release of Daylight and Better. Giving fans a taste of what to expect from the shows, Sannia says, “I feel like we’ve grown so much from all the time not just performing but creating together and that definitely shows onstage. I think I’m the most honest version of myself and my emotions onstage, the music I write comes from a deeply personal place so I’m essentially revealing myself and embodying my work every time I perform and I can’t wait to share these new stories with a new audience.”
Daylight and Better will be available on August 16.
SANNIA BETTER AND DAYLIGHT DOUBLE SINGLE RELEASE LAUNCH SHOWS
THU 12 SEP | WORKERS CLUB, FITZROY VIC | 18+
Tickets available from www.oztix.com.au | 1300 762 545
SAT 14 SEP | GOLDEN AGE CINEMA, NEWTOWN NSW | All Ages
Free Entry | Details available via https://www.ourgoldenage.com.au/live-music