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RYAN MEEKING ANNOUNCES NEW SINGLE & VIDEO ‘ENDLESS RUN’ + listicle

Melbourne’s newest indie pop master Ryan Meeking has released his fresh cinematic single Endless Run. An evocative work, set within the joyous bloom of festival party culture, Endless Run is rich with euphoric abandon. Its visceral, multi-layered rhythm celebrates a summer to end all summers, its engaging lyrics highlighting the intense relationships that follow.

THU 12 AUG | SMALL TIME, BRUNSWICK VIC | ALL AGES
Book a table smalltimegroup.com  | 0497 617 857 | Artist donation at Eventbrite

Ryan shares his wisdom with us on what is the best way to produce music in Lockdown. Read about that here.

TOP 5 TIPS FOR PRODUCING MUSIC FROM HOME IN LOCKDOWN

  1. Get over it, quickly, and make do. The gear you have is what you have, a smartphone app will do. Limit your mission to finishing songs – we’re talking lyrics, melody, basic beat or accompaniment – at whatever quality possible. It’s all about finishing songs, that’s the game. Dress it all up later when you have access to your usual resources and collaborators, or if you fly solo, when you have a song worth dressing up. Oh and avoid the loop! Don’t get caught in the same 16 bars. Got a great hook down? Congratulations (seriously). Thrive on it and add layers later, right now you need to move on to the next section.
  1. Learn. Choose an instrument or piece of gear you don’t know intimately yet. Really get into it. Then use what you learnt as the basis for a new track. Find something about your workflow that’s a chore and re-imagine it. I started printing more tracks during or right after recording, for instance, baking in tone shaping decisions and moving on rather than keeping pesky plugins around for endless tweak spirals.
  1. Take breaks – especially if you’re working in headphones. Your ears and brain need a rest. If you’re looping sections, feeling stuck or zooming way too far in, go outside. Go check out some water, a tree or some grass. Pick an object and find two or three ultra-fine details in it. Notice how they contribute to the whole. Then go get back to work. The walk idea can also help if you’re stuck on lyrics or a melody. Bounce (or use your phone to record) the accompaniment for a section, put it in headphones and wander around cycling through, or even performing ideas. Match your walking speed to the tempo. Getting physically involved in the tune can help.
  1. Turn your attention outwards. Find and listen to new music. Call friends and collaborators and talk about it. Analyse and even see if you can replicate something about it. Don’t get lost in the bunker. If you’re working with others, get good at communicating over email using numbered lists. Learn how to share screens and audio via Zoom or whatever.
  1. Be proud of your space and thankful for the time in it. This will eventually end and it’ll be back to the rat race. For now, put up some lights, hang a picture or rearrange the furniture. This could be the best music you ever make. Oh and on that topic, don’t make too much music about lockdown. Instead, think about the topic as a way to reframe things you’d usually write about or a way to find new ones.

Meeking has released a stunningly bold video to accompany the track, inspired by human movement and directed by filmmaker and photographer Rick Clifford (Ainslie Wills, Bad Pony, Tori Forsyth). After having his music featured on massive television shows such as Suits, So You Think You Can Dance USA and Teen Wolf, Ryan Meeking (Whitaker, Gossling) is moving from one musical world to the next with this standout pop gem. And he’ll be celebrating the release with a launch show at Small Time (Brunswick) on August 12, tickets are available now.

Endless Run feels like just like its namesake – an infinite, beautiful journey into the unknown, characterised by an undeniable groove; Meeking’s cool, calm voice; clever melodies; and sharp, concise production.  The track has influences of Jack Garrett, Gotye, and Benee, but feels particularly unique to Meeking and speaks to years spent intently, passionately studying pop writing.  Co-produced and engineered by Sam Swain (Josh Cashman, Obscura Hail) and mastered by Randy Merrill (Taylor Swift, Lady Gaga, Justin Bieber), Endless Run is a heady, all-encompassing track. Meeking explains: “You’re in the festival crowd. Drink it in. Your friends, thousands of others, the music, the party, the complete loss of any sense of time and space – and who cares: the community in that. Everything is now, everything is amazing and its just the beginning. Welcome to your Endless Run.”

The video for Endless Run is a brilliant spectacle of light and movement, somehow both nostalgic and futuristic all at once.  Meeking dances alone in this colourful world, and the result is hypnotic.  Speaking on how the clip was developed – Meeking explains, We knew we wanted to place the clip in a ‘nowhere’ space, an unnatural world created especially for the audience – like all my new music to come – so we took a risk on a rare new piece of lighting tech to get us there and it totally paid off.  In fact, it really took on a character and life of its own.  This is also the first time I’ve worked on music and really thought about how it sat in my body, so we went through a bunch of ideas on how to put human movement at the centre of the clip.  In the end, nothing made more sense than what you see. A peppering of strange sci-fi vibes, some Rick Clifford magic, and we had a clip for Endless Run.”

Endless Run is another stellar addition to Ryan Meeking’s glowing and diverse discography, one which demonstrates his lifelong pursuit of music and art, and dedication to his craft, as he describes, “I talk a lot about music production because it’s something I’m incredibly drawn to, but nothing matters to me more than the song.  So making music is always a balance between these two elements.  My affinity with music started with my grandparents’ piano and took root in the theatre, watching family perform in musicals like Les Misérables.  Something about that art form stuck with me – the bare, honest storytelling set to intricate, clever composition – music that doesn’t hold back. I don’t write for the theatre, but those qualities are something I’ve never escaped chasing in my own music.  I guess I always think, ‘Why limit anything if the song can carry it?’ Making Endless Run was no exception.”

Endless Run is out July 14.

Tickets to the Small Time launch show on August 12 are available now.

THU 12 AUG | SMALL TIME, BRUNSWICK VIC | ALL AGES
Book a table smalltimegroup.com  | 0497 617 857 | Artist donation at Eventbrite

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