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Good Tiger reveals details for new album “We Will All Be Gone” + launches first single “The Devil Thinks I’m Sinking”

On February 9th, Good Tiger will release their second full-length, We Will All Be Gone, via Blacklight Media/Metal Blade Records.

For a preview of the album, the first single, “
The Devil Thinks I’m Sinking”, can be heard at:  – where the record can be pre-ordered in the following formats:

–Digipak CD
–180g Black Vinyl (EU exclusive – limited to 500 copies)
–Flesh Pink Clear Vinyl (EU exclusive – limited to 200 copies)
–Opaque Pale Pink Vinyl (USA exclusive – limited to 500 copies) 

With music instantly accessed at the touch of a button, it seems that the urge to pigeonhole bands as quickly and neatly as possible has been driven to ever more extremes in recent years. Good Tiger, however, forge their own path. Blending their influences in a manner that defies lazy classification sets them apart from their contemporaries, imbuing everything they do with a distinctive sound and feel, and with We Will All Be Gone, Good Tiger have dramatically built upon their stunning debut, 2015’s A Head Full Of Moonlight. Comprised of guitarists Derya “Dez” Nagle and Joaquin Ardiles, bassist Morgan Sinclair, drummer Alex Rudinger and vocalist Elliot Coleman, Good Tiger has raised the stakes across the board – every track on We Will All Be Gone has a definitive character of its own, and none stay in a single gear, all of them dynamic and textured as they evoke various tones and moods. Tracking at Middle Farm Studios in southwest England, the band also recruited producer Forrester Savell (Karnivool/Dead Letter Circus), and engineer/mixer Adam “Nolly” Getgood (Periphery/Animals As Leaders). “We worked with Nolly on the last album, we had a great working relationship, and wanted to explore that further in a more developed situation,” Dez explains. “Forrester has made some of our favorite albums, and is someone we could trust steering the ship. Having self-produced for so long it can be at times quite difficult to let go, so it was important we found people we could fully entrust to help create the album we wanted to make.”

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